{"id":941,"date":"2022-11-21T17:40:47","date_gmt":"2022-11-21T17:40:47","guid":{"rendered":"https:\/\/www.comediassueltasusa.org\/?page_id=941"},"modified":"2025-09-05T18:44:25","modified_gmt":"2025-09-05T18:44:25","slug":"other-websites-of-interest","status":"publish","type":"page","link":"https:\/\/www.comediassueltasusa.org\/es\/other-websites-of-interest\/","title":{"rendered":"P\u00e1ginas Web de Inter\u00e9s"},"content":{"rendered":"<h3><a href=\"https:\/\/www.red-aracne.es\/presentacion\" target=\"_blank\" rel=\"noopener\">Aracne<\/a><\/h3>\n<p><a href=\"https:\/\/www.red-aracne.es\/presentacion\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-943 size-medium\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/arcane-300x117.png\" alt=\"\" width=\"300\" height=\"117\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/arcane-300x117.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/arcane.png 366w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The Aracne Network offers a platform that increases the visibility of work in the field of Digital Humanities and fosters new initiatives in the field of Spanish literature. Aracne is a space for joint reflection that allows progress in the development of common scientific and technological protocols, which enhance the work in the field of Digital Humanities and support its recognition in all areas, both work and evaluation.<\/p>\n<h3><a href=\"https:\/\/artelope.uv.es\/\" target=\"_blank\" rel=\"noopener\">Artelope<\/a><\/h3>\n<p><a href=\"https:\/\/artelope.uv.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-944\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/artelope-300x140.png\" alt=\"\" width=\"300\" height=\"140\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/artelope-300x140.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/artelope.png 314w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The Artelope database provides scholars and theatre practitioners with information related to all of Lope de Vega&#8217;s plays (or those attributed to him) in an interactive format that enables research. Single plays or groups of plays can be searched using twenty-two fields of information, organized in four sections: bibliographical data, pragmatic data, characteristics, and a digital library (texts in html markup).<br \/>\n<strong>Directed by:<\/strong> Joan Oleza Sim\u00f3 (Universitat de Val\u00e8ncia)<\/p>\n<h3><a href=\"https:\/\/asodat.uv.es\/\" target=\"_blank\" rel=\"noopener\">ASODAT<\/a><\/h3>\n<p><a href=\"https:\/\/asodat.uv.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-945\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/asodat-300x101.png\" alt=\"\" width=\"300\" height=\"101\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/asodat-300x101.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/asodat.png 350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>ASODAT (<em>Asociar los datos<\/em>) is a coordinated project formed by several research groups whose objective is to connect the information of different databases related to early modern Spanish theater and its documentation.<br \/>\n<strong>Coordinator of the ASODAT project:<\/strong> Teresa Ferrer Valls (Universitat de Val\u00e8ncia)<\/p>\n<h3><a href=\"http:\/\/www.bidiso.es\/\" target=\"_blank\" rel=\"noopener\">Biblioteca Digital Siglo de Oro<\/a><\/h3>\n<p><a href=\"http:\/\/www.bidiso.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-946\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/bibliotecaDigitalSigloDeOro.png\" alt=\"\" width=\"237\" height=\"237\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/bibliotecaDigitalSigloDeOro.png 237w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/bibliotecaDigitalSigloDeOro-150x150.png 150w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" \/><\/a>The Biblioteca Digital Siglo de Oro offers resources for researchers and the interested public related to: literature; history; the history of books and libraries; and the history of art of the 16th and 17th centuries.<br \/>\nFeatures include access to databases, and digitized editions (facsimiles and transcribed texts) of the following: Inventories of private or institutional libraries of the Golden Age, emblem\u00e1tica, <em>Relaciones de sucesos, polianteas<\/em>, encyclopedias, repertorio de lugares comunes, mythography\u2019s and sources of scholarship.<br \/>\nResponsible: Nieves Pena Sueiro (Universidade da Coru\u00f1a) &amp; Sagrario L\u00f3pez Poza (Universidade da Coru\u00f1a)<\/p>\n<h3><a href=\"http:\/\/calderondigital.tespasiglodeoro.it\/\" target=\"_blank\" rel=\"noopener\">Calder\u00f3n Digital<\/a><\/h3>\n<p><a href=\"http:\/\/calderondigital.tespasiglodeoro.it\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-947\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/calderonDigital-300x61.png\" alt=\"\" width=\"300\" height=\"61\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/calderonDigital-300x61.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/calderonDigital.png 347w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Calder\u00f3n digital is an open access database dedicated to the works\/theater of Pedro Calder\u00f3n de la Barca.<br \/>\nThe database consists of three major features:<\/p>\n<ul>\n<li>The computation of the various metric forms used in each reviewed work.<\/li>\n<li>A synopsis that couples the argument with a segmentation proposal articulated according to changes in metric form, dramatic space, and time.<\/li>\n<li>The possibility of searching the synopsis for recurring motifs. These motifs have been identified and marked by the researchers who have made the cards, in accordance with a previously agreed common pattern and which has been enriched throughout the work of writing the cards.<\/li>\n<\/ul>\n<p><strong>Directed by:<\/strong> Fausta Antonucci (Universit\u00e0 degli studi Roma Tre)<\/p>\n<h3><a href=\"https:\/\/www.casadilope.it\/\" target=\"_blank\" rel=\"noopener\">Casa di Lope<\/a><\/h3>\n<p><a href=\"https:\/\/www.casadilope.it\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-1126\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/logo_casa_di_lope.png\" alt=\"\" width=\"406\" height=\"63\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/logo_casa_di_lope.png 406w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/logo_casa_di_lope-300x47.png 300w\" sizes=\"auto, (max-width: 406px) 100vw, 406px\" \/><\/a>Fundada por Stefano Arata, la Casa di Lope estaba pensada como un lugar de encuentro y discusi\u00f3n entre estudiosos y estudiantes interesados en el teatro \u00e1ureo. Tras la muerte de Arata en 2001, Fausta Antonucci qued\u00f3 a cargo de la Casa di Lope y la transform\u00f3 en un lugar de encuentro virtual, creando un sitio web con secciones como Bibliograf\u00eda cr\u00edtica sobre el teatro \u00e1ureo, Enlaces de inter\u00e9s (cuya versi\u00f3n inicial fue preparada por Germ\u00e1n Vega), Encuentros y congresos.<br \/>\nEn la secci\u00f3n de Enlaces, la Casa di Lope ofrece una p\u00e1gina sobre <a href=\"https:\/\/www.casadilope.it\/enlaces\/bibliotecas-archivos-museos.html\"><i>Bibliotecas, Archivos, Museos<\/i><\/a>, que facilita el acceso a los materiales m\u00e1s relevantes custodiados en la colecciones teatrales de dichas instituciones.<br \/>\n<strong>Directed by:<\/strong> Fausta Antonucci (Universit\u00e0 degli studi Roma Tre)<\/p>\n<h3><a href=\"https:\/\/www.cervantesvirtual.com\/\" target=\"_blank\" rel=\"noopener\">Cervantes Virtual<\/a><\/h3>\n<p><a href=\"https:\/\/www.cervantesvirtual.com\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-949\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/CervantesVirtual-300x147.png\" alt=\"\" width=\"300\" height=\"147\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/CervantesVirtual-300x147.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/CervantesVirtual.png 343w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The primary purpose of Biblioteca Virtual Miguel de Cervantes is to make available classical and relevant works of culture in the different Hispanic languages free of charge, as well as provide access to the most significant research and studies concerning them to users from all over the world.<br \/>\nTheir mission is to also promote research in the different areas of the digital humanities and carry out the development and analysis of technological tools and services that facilitate the use of their growing set of digitized materials.<br \/>\n<strong>Directed by:<\/strong> Germ\u00e1n Vega Garc\u00eda Luengos<\/p>\n<h3><a href=\"https:\/\/clemit.uv.es\/consulta\/\" target=\"_blank\" rel=\"noopener\">CLEMIT<\/a><\/h3>\n<p><a href=\"https:\/\/clemit.uv.es\/consulta\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-950\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/clemit-300x114.png\" alt=\"\" width=\"300\" height=\"114\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/clemit-300x114.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/clemit.png 370w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The database CLEMIT (<em>Censuras y Licencias en Manuscritos e Impresos Teatrales<\/em>) gathers documents that provide information on the surveillance and control of early modern Spanish theater: performance licenses, censors, inquisitorial prohibitions, interventions in the texts, etc.<br \/>\nCLEMIT offers searches by title, playwright, censor, and date and place of performance licenses. In each of the title records, both the basic data, which is separated by fields (primary sources, bibliography, topics), and the complete reading sheets of each of the analyzed works are offered.<br \/>\n<strong>Directed by:<\/strong> H\u00e9ctor Urz\u00e1iz Tortajada (Universidad de Valladolid)<\/p>\n<h3><a href=\"https:\/\/dicat.uv.es\/\" target=\"_blank\" rel=\"noopener\">DICAT<\/a><\/h3>\n<p><a href=\"https:\/\/dicat.uv.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-951\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/dicat-300x163.png\" alt=\"\" width=\"300\" height=\"163\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/dicat-300x163.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/dicat.png 352w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>(DICAT) <em>Diccionario biogr\u00e1fico de actores del teatro cl\u00e1sico espa\u00f1ol<\/em> is a database published in 2008 by the Reichenberger publishing house, on a DVD, accompanied by a short introductory book. The aim of this project, started in 1995, was to take advantage of the possibilities that the so-called new technologies were beginning to open up in the field of Humanities.<br \/>\nDICAT functions as a tool that not only brings together abundant information already existing in Spain regarding actors and actresses, but does it critically, collating and evaluating the contradictions incurred by the data and strengthening the relationship between them through searches.<br \/>\nDue to the obsolescence of DVD players, the publication is now available online to facilitate its consultation.<br \/>\n<strong>Directed by:<\/strong> Teresa Ferrer Valls (Universitat de Val\u00e8ncia)<\/p>\n<h3><a href=\"https:\/\/digitalmp.uv.es\/consulta\/\" target=\"_blank\" rel=\"noopener\">DMP<\/a><\/h3>\n<p><a href=\"https:\/\/digitalmp.uv.es\/consulta\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-952\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/dmp-300x114.png\" alt=\"\" width=\"300\" height=\"114\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/dmp-300x114.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/dmp.png 356w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><em>Digital M\u00fasica Po\u00e9tica<\/em> (DMP) is a database that offers a systematization of the information related to songs and dances included in early modern Spanish plays.<br \/>\nDMP can be searched by composers, poets, first lines of songs, themes of the songs, strophic forms, musical instruments, titles, and playwrights. One can also search by dramatic genre and how it relates to music.<br \/>\n<strong>Directed by:<\/strong> Lola Josa Fern\u00e1ndez (Universidad de Barcelona)<\/p>\n<h3><a href=\"https:\/\/emothe.uv.es\/\" target=\"_blank\" rel=\"noopener\">EMOTHE<\/a><\/h3>\n<p><a href=\"https:\/\/emothe.uv.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-953\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/emothe-300x134.png\" alt=\"\" width=\"300\" height=\"134\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/emothe-300x134.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/emothe.png 358w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>EMOTHE is a project for the study, and dissemination of the classical European theatre heritage (16th and 17th centuries), based on its canonical plays in five different theatre traditions: Spanish, French, English, Italian and Portuguese. Its main results are a database offering information itemized in various fields, and a Digital Library, in which each play bring researched in its original language, allows the display in parallel of texts related to it: translation, adaptations or versions.<br \/>\nThe project does not try to build a history of the theater, but to insert the texts of the European theater, their translations into other languages, the history and memory of their representations, the data and documents that identify them, and the resources and strategies to know and study it, at the center of the European cultural system of references.<br \/>\n<strong>Directed by:<\/strong> Jes\u00fas Tronch P\u00e9rez (Universitat de Val\u00e8ncia)<br \/>\n<strong>Co-Director:<\/strong> Joan Oleza (Universitat de Val\u00e8ncia)<\/p>\n<h3><a href=\"https:\/\/entribericos.com\/home\/\">ENTRIB<\/a><\/h3>\n<p><a href=\"https:\/\/entribericos.com\/home\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-1257\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/ENTRIB-300x109.jpg\" alt=\"\" width=\"300\" height=\"109\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/ENTRIB-300x109.jpg 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/ENTRIB.jpg 361w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Entremezes Ib\u00e9ricos &amp; Teatro Breve, is a catalog of entremeses and other short theatrical works (such as loas, bailes, sainetes, and mojigangas) composed between the 16th and 18th centuries across the various Iberian languages. The project also involves the edition and study of the textual corpus, highlighting its rich multilingual traditions. The catalog is available in both Portuguese and Spanish.<br \/>\n<b>Co-ordinators:<\/b>\u00a0Jos\u00e9 Cam\u00f5es &amp; Abraham Madro\u00f1al<\/p>\n<h3><a href=\"https:\/\/etso.es\/\" target=\"_blank\" rel=\"noopener\">ETSO<\/a><\/h3>\n<p><a href=\"https:\/\/etso.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-954\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/etso-300x138.png\" alt=\"\" width=\"300\" height=\"138\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/etso-300x138.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/etso.png 320w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>ETSO (<em>Estilometr\u00eda aplicada al Teatro del Siglo de Oro<\/em>) is a new resource used for research which deals with the complex and necessary issue of authorship. The reports that ETSO provides are the result of lexical frequency analysis, carried out with the Stylo program, of more than 2,700 plays (mainly plays and autos), corresponding to more than 350 playwrights from the 16th and 17th centuries, which currently constitute its growing corpus. Each text is contrasted with the entire corpus in order to determine with which pieces and authors it presents the greatest similarity. In addition, the Transkribus program transcribes and modernizes old prints and manuscripts automatically with a high degree of accuracy. ETSO uses other stylometric or Artificial Intelligence techniques to analyze the texts.<br \/>\n<strong>Directed by:<\/strong> \u00c1lvaro Cu\u00e9llar (Universit\u00e4t Wien) &amp; Germ\u00e1n Vega (Universidad de Valladolid)<\/p>\n<h3><a href=\"http:\/\/istae.uv.es\/\" target=\"_blank\" rel=\"noopener\">ISTAE<\/a><\/h3>\n<p><a href=\"http:\/\/istae.uv.es\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-955\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/istae-300x155.png\" alt=\"\" width=\"300\" height=\"155\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/istae-300x155.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/istae.png 366w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The ISTAE project (<em>Impressos sueltos del teatro antiguo espa\u00f1ol<\/em>) aims to create a database that gathers and describes the singly printed plays published between 1600 and 1834 that contain texts from the Spanish theater of the Golden Age. The purpose will be to identify these editions thanks to a description system that integrates the elements for the recognition of an old print, as well as those that are typical of the release. The database is updated periodically with new records.<br \/>\n<strong>Directed by:<\/strong> Alejandra Ulla Lorenzo (Universidade de Santiago de Compostela)<\/p>\n<h3><a href=\"http:\/\/www.pliegos.culturaspopulares.org\/estudio4.php\" target=\"_blank\" rel=\"noopener\">Literatura de cordel y teatro en Espa\u00f1a<\/a><\/h3>\n<p><a href=\"http:\/\/www.pliegos.culturaspopulares.org\/estudio4.php\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-956\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/LiteraturaDeCordelYTeatroEnEspana-300x39.png\" alt=\"\" width=\"300\" height=\"39\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/LiteraturaDeCordelYTeatroEnEspana-300x39.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/LiteraturaDeCordelYTeatroEnEspana.png 366w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>This website presents a study about Literatura de cordel y teatro en Espa\u00f1a (1675-1825). Originally it was presented in 2008 as a doctoral dissertation at the University of Alcal\u00e1 (Spain)<br \/>\n<strong>Prepared by:<\/strong> Santiago Cort\u00e9s Hern\u00e1ndez<\/p>\n<h3><a href=\"http:\/\/manos.net\/\" target=\"_blank\" rel=\"noopener\">MANOS<\/a><\/h3>\n<p><a href=\"http:\/\/manos.net\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-957\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Manos-300x120.png\" alt=\"\" width=\"300\" height=\"120\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Manos-300x120.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Manos.png 364w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The purpose of MANOS database is to catalogue and analyze theatrical manuscripts and the copyists associated with them. As the center of MANOS, the database offers information on the identity of the copyists of the manuscripts\u2014playwrights, professional copyists, actors, or other members of theater companies.<br \/>\nIn each case, the nature of the calligraphy is linked to other data, related to the author of the manuscript, its copyists, its use for representation, and to digital images of the manuscript. It can be searched by title and by the name of those who participated in creating and copying the texts.<br \/>\n<strong>Directed by:<\/strong> Margaret R. Greer (Duke University) &amp; Alejandro Garc\u00eda Reidy (Universidad de Salamanca)<\/p>\n<h3><a href=\"http:\/\/www.moretianos.com\/\" target=\"_blank\" rel=\"noopener\">Moretianos<\/a><\/h3>\n<p><a href=\"http:\/\/www.moretianos.com\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-958\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Moretianos-300x44.png\" alt=\"\" width=\"300\" height=\"44\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Moretianos-300x44.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Moretianos.png 366w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><em>Moretianos<\/em> focuses on the study of Agust\u00edn Moreto\u2019s (1618-1669) complete works. Moretianos is also part of the PROTEO research group based at the University of Burgos.<br \/>\n<strong>Directed by:<\/strong> Mar\u00eda Luisa Lobato<\/p>\n<h3><a href=\"https:\/\/www.bne.es\/es\/Micrositios\/Guias\/MujeresImpresoras\/\" target=\"_blank\" rel=\"noopener\">Mujeres Impresoras<\/a><\/h3>\n<p><a href=\"https:\/\/www.bne.es\/es\/Micrositios\/Guias\/MujeresImpresoras\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-959\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/MujeresImpresoras-300x143.png\" alt=\"\" width=\"300\" height=\"143\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/MujeresImpresoras-300x143.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/MujeresImpresoras.png 366w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><em>Mujeres Impresoras<\/em> is a resource guide which tries to value the role of Spanish women in the world of books and printing between the 16th and the 19th centuries. This resource is divided into groups by centuries; each period follows the same arrangement: an introductory text of each period, followed by a selection of printers classified by their place of business. In the selection, those that made some contribution of interest or whose production was more numerous, as well as some of which in any case there are data for having been studied previously, have been highlighted.<br \/>\n<strong>Produced by:<\/strong> Lourdes Guti\u00e9rrez, Purification Lafuente &amp; Laura Carrillo<\/p>\n<h3><a href=\"http:\/\/prolope.uab.cat\/\" target=\"_blank\" rel=\"noopener\">PROLOPE<\/a><\/h3>\n<p><a href=\"http:\/\/prolope.uab.cat\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-960\" src=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Prolope-300x109.png\" alt=\"\" width=\"300\" height=\"109\" srcset=\"https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Prolope-300x109.png 300w, https:\/\/www.comediassueltasusa.org\/wp-content\/uploads\/Prolope.png 356w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The PROLOPE Group, was founded in 1989 at the Universitat Aut\u00f2noma de Barcelona by Alberto Blecua and is currently directed by Ram\u00f3n Vald\u00e9s. Its main objective is to undertake the critical study of Lope\u2019s entire theatrical output. Lope\u2019s is one of the greatest and most prolific playwrights of the Golden Age and of the history of Spanish literature. His preserved dramatic work are estimated at more than three hundred comedies of certain authorship, in addition to those of doubtful attribution.<br \/>\n<strong>Directed by:<\/strong> Ram\u00f3n Vald\u00e9s<\/p>","protected":false},"excerpt":{"rendered":"<p>Aracne The Aracne Network offers a platform that increases the visibility of work in the field of Digital Humanities and fosters new initiatives in the field of Spanish literature. Aracne is a space for joint reflection that allows progress in the development of common scientific and technological protocols, which enhance the work in the field &hellip; <a href=\"https:\/\/www.comediassueltasusa.org\/es\/other-websites-of-interest\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">P\u00e1ginas Web de Inter\u00e9s<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-941","page","type-page","status-publish","hentry"],"acf":[],"jetpack_shortlink":"https:\/\/wp.me\/P6RdQj-fb","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/pages\/941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/comments?post=941"}],"version-history":[{"count":56,"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/pages\/941\/revisions"}],"predecessor-version":[{"id":1266,"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/pages\/941\/revisions\/1266"}],"wp:attachment":[{"href":"https:\/\/www.comediassueltasusa.org\/es\/wp-json\/wp\/v2\/media?parent=941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}